https://ruszevportfolio.cargo.site szilviaruszev Sun, 25 Sep 2022 15:06:59 +0000 https://ruszevportfolio.cargo.site en https://ruszevportfolio.cargo.site/Main Fri, 10 May 2019 18:13:29 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Main Szilvia Ruszev media artist researcher film editorworking across media  ︎ https://ruszevportfolio.cargo.site/future-archeology-copy Sun, 25 Sep 2022 14:28:08 +0000 szilviaruszev https://ruszevportfolio.cargo.site/future-archeology-copy FUTURE ARCHEOLOGY >deterritorialized fabulative media collaboration, 2022                   ︎ https://ruszevportfolio.cargo.site/Heterotopias-copy Thu, 31 Oct 2019 03:58:42 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Heterotopias-copy HETEROTOPIAS︎  VR essay, 2018         ︎ https://ruszevportfolio.cargo.site/Digital-Abject-copy Sun, 25 Sep 2022 15:06:59 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Digital-Abject-copy DIGITAL ABJECT > 5 min. video essay, 2022                       https://ruszevportfolio.cargo.site/Rhythmic-Trajectories-copy Thu, 31 Oct 2019 03:59:02 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Rhythmic-Trajectories-copy RHYTHMIC TRAJECTORIES ︎ ongoing research project https://ruszevportfolio.cargo.site/future-archeology Sun, 25 Sep 2022 14:04:10 +0000 szilviaruszev https://ruszevportfolio.cargo.site/future-archeology Future ArcheologySzikago Pakrel                                                               LINK︎︎︎ deterritorialized fabulative media collaboration 2022 Szi-ka-go Pa-kr-el is a space; a polyvocal archeologist of the future; a stitched-together body; a hybrid, semi-robotic creature; a computerized thought that emerges from a rhizomatic and fabulous media collaboration. The blended corpus of audiovisual artefacts is found footage from the past, left behind to be found, discovered, excavated and visited. The fundamental question is: What went wrong? What was left behind? Forms, hopes and memories—detached, deterritorialized, beyond time and place; artefacts floating in a virtual space; an imaginary future. https://ruszevportfolio.cargo.site/Digital-Abject-1 Sun, 25 Sep 2022 14:50:04 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Digital-Abject-1 Digital Abject 5 min. video essay, 2022                       Digital abjection creates possibilities to re-examine and re-compose bodies within the digital image, and with it to re-contextualize the intricate and complex relationship between (the materiality of) bodies, identities, and their representation in media. ︎ https://ruszevportfolio.cargo.site/Digital-Abject-2 Sun, 25 Sep 2022 14:50:15 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Digital-Abject-2 https://ruszevportfolio.cargo.site/Undisclosed Fri, 20 Dec 2019 20:05:55 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Undisclosed Undisclosed 4 min. experimental video, 2019                       superficies - intersticies - percolation - slippageHaptic looking tends to rest on the surface of its object rather than to plunge into depth, not to distinguish form so much as to discern texture. It is a labile, plastic sort of look, more inclined to move than to focus. The video works I propose to call haptic invite a look that moves on the surface plane of the screen for some time before the viewer realizes what it is she is beholding. Haptic video resolves into figuration only gradually if at all, instead of inviting the caressing look.                                                                                                              Laura Marks ︎ https://ruszevportfolio.cargo.site/Untitled-Video Fri, 20 Dec 2019 19:47:07 +0000 szilviaruszev https://ruszevportfolio.cargo.site/Untitled-Video